Gaston Core
The very last Nothern White Rhino
With the utmost aesthetic simplicity, this choreographic solo, based on urban dance, questions the very possibility of happiness in the face of the world’s chaos.
When the New York Times journalist Sam Anderson knew about the death of the last male Northern White Rhinoceros, he took a flight to Kenya to observe and narrate in detail the daily lives of the last two female representatives of this species, which would disappear from the earth once they had died. The image of these individuals in ignorance of their species’ fate gave the reporter a sense of peace, at a time of global uncertainty.
Gastón Core seeks, through a formal investigation of different styles of urban dance (Krumping, Finger Tutting, Waving, Afro …), to offer the image of the Man –the dancer Oulouy– who dances because he has discovered that, as Paul Valéry puts it, we have “too much energy for our needs”. That is, to present dance as excess, as a celebration derived from life. Dance to exhaustion, dance to the end because maybe there is nothing more that can be done.
Biography
Born in Buenos Aires, Gaston Core has a background as a dancer and performer and studied audiovisual communication at the University of Buenos Aires (UBA). Dancer, actor, cultural manager and dramaturg, he trained as a performer and dancer and studied audiovisual communication at the University of Buenos Aires (UBA). Since moving to Europe in 2001, he has continued his training in these two fields, obtaining a degree in dramaturgy and directing at Barcelona's Institut del Teatre while working with European film producer and distributor Paco Poch. He worked with various companies as a performer and playwright/director until 2012, when he decided to devote himself exclusively to the Sala Hiroshima project, which he directed until its closure in 2021, supporting the most innovative trends on the international contemporary scene. Since his first artistic project, he has worked in collaboration with Oulouy, a dancer specialising in urban and African dance. His research approach is to modify the dynamics and recognisable forms of these dances in order to explore their expressive essence.
Credits
Concept and direction: Gaston Core
Performance: Oulouy
Music: Jorge da Rocha
Lighting design: Ivan Cascon
Stylist: Eva Bernal
Collaboration: Aina Alegre
Documentation, photography and video: Alice Brazzit
Coproduction: Sala Hiroshima, Festival Grec de Barcelona
Support from: Centre Cívic Barceloneta
Thanks to: Juanjo Villalba y Mario R.